- Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
- Give the reader at least one character he or she can root for.
- Every character should want something, even if it is only a glass of water.
- Every sentence must do one of two things--reveal character or advance the action.
- Start as close to the end as possible.
- Be a Sadist. No matter how sweet and innocent your leading characters, make awful things happen to them--in order that the reader may see what they are made of.
- Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
- Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
I don't think 'natural' is good. There are many things that we apply (some almost arbitrary) (some ignorant and backward ideas of natural and not-natural agenda-propagating) rules of morality. I think 'natural' is a political rhetoric, profoundly abused. 'Diversity' is the only defensible rhetoric for 'thinking' beings. We are not, of course, the only creatures that do thinking, but we are the only creatures with the power to oppress others and other creatures whose languages we don't understand. Us (badly) thinking creatures, slowly, ponderously gathering the evidence of our badness (I see no reason for your (god's) patience with us), have the ability to decide to be better than (the fashionable) 'natural' of the day. It is our responsibility to transcend our vileness. Just that. That one task. Our thinkingness I believe is for that. A world (constructed by god) to demonstrate this point. And we will find every rhetor...
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Red_Juliet