- Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
- Give the reader at least one character he or she can root for.
- Every character should want something, even if it is only a glass of water.
- Every sentence must do one of two things--reveal character or advance the action.
- Start as close to the end as possible.
- Be a Sadist. No matter how sweet and innocent your leading characters, make awful things happen to them--in order that the reader may see what they are made of.
- Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
- Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
Flashback Friday, a column on feminist notions ... To be fair - it's difficult to think of a non-self-defining feminist woman as anything but a tool of the patriarchy. I have to concentrate on the fact that even though a woman would not call herself a feminist, she would never endorse footbinding (to name a radical example) and it doesn't necessarily mean she is a doormat either. In fact, some of my favorite women scorn my feminism and hate it when they are judged solely on their marital status or gender. Ironically if you look at films made during the so-called liberal 60s and 70s you will see that movies align the woman's role less to what is happening politically in the big wide world and more to what is happening in pornography. The rise of the snuff movie mirrored the rise of violence towards women in the movies, serial killer paradise. Pornography always centers on the woman - probably in an attempt to hide the size of the penis. From my perspective, I am less un...
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Red_Juliet